How The Book Consulting Works

You have a writing project in mind, and want to get some advice on it. The best way to begin is to come over to my house for a kitchen-table meeting for a couple of hours. It’s a big kitchen, with a table for your laptop and mine, and I can offer you anything from green tea to Scotch, depending on how the meeting goes.

Or you might have a manuscript. You’re sick to death of it and want to get off your desk, so you send it to me to review. Or you aren’t sick of it, but do have some specific questions about it, or want someone who isn’t your mother to tell you if it’s publishable, or how to make it publishable.

In that case, I read it and mark it and write you a detailed response, and often you then come over to meet with me.

Warning: The service I render you may be to tug the project you’ve been at work on, or thinking about, for years, out of your hands. There are some topics (most, but not all, involving a mother) that will never reward the time spent, but are instead a form of brooding.

Did you lose money through an investment guide who got in over his head and began embezzling? Did you grow up in a really crappy family, or marry an asshole? Some stories we can reframe: some we must shut the door on. What you want to write may not be what the reader wants to read.

On the other hand. I am pretty good at structure.

As novelist Michael Crichton pointed out, you often start with a good idea of what you’re doing: “…as if you were standing on a dock and looking at a ship on the ocean. At first you can see the entire ship, but then as you begin work you’re in the boiler room and you can’t see the ship anymore … What you really want in an editor is someone who’s still on the dock, who can say, “Hi, I’m looking at your ship, and it’s missing a bow, the front mast is crooked, and it looks to me as if your propellers are going to have to be fixed.”

If you are working on a memoir, here’s why a writing coach can help: Writing about your own life offers a particular challenges: in that it  asks you to review events and distinguish between what is important or meaningful to you, and what is important or meaningful to the story. An outsider interested only in story–in what will make the book work–can help you outline the arc of your story (as opposed to just writing down everything that happened in the order it happened), and help you decide what to put in, what to leave out. When the book is ready, I can help you with agents, titles, publishing, and the proposal.

Caveat: Resist the urge to get your project into shape before showing it to me. I want to see it at as early a stage as possible, as I can be most useful in helping to plan the structure. In fact sometimes all you need to bring is a pad of paper and yourself, and we will talk through the book together. We might tape the session, as we cover a lot of ground fast,  and you might want to listen to it later, in the car maybe.

I charge $200  an hour for time spent, whether for meeting in person or for reviewing pages.  You can email me a manuscript –I can upload and read on my Kindle, and print out for written comments. Reading and making detailed suggestions on a book-length manuscript can cost $1200 to $2500, depending on its length and how rough or polished it is.

Tanya Taskila

That was the best $200 I ever spent. I love the path you put me on; my vision is so much clearer. I’m so inspired to get back to work.

 

 

 

Kate Campbell

Thanks again for your wonderful amazing edits–they are just exactly what I need.

Adair Lara

95 Scott Street San Francisco, CA 94117.415-722-6697 ( prefer texts)

Adair.lara@gmail.com

 

 

 

 

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About Adair Lara

Adair Lara 95 Scott Street San Francisco, CA 94117 415-626-9157 Adairlara.com Adair.lara@gmail.com Adair Lara is a writer, teacher and author in San Francisco. A former magazine editor, she wrote a popular, award-winning personal column for the San Francisco Chronicle for 12 years before leaving the paper to write and teach full time. She has appeared in dozens of national magazines. She is the author of 12 books and is a popular voice on Facebook, with 5000 friends who are mostly writers and teachers of writing, many well-known. Her most recent book, which has become a cult favorite in the writing blogsphere, is Naked, Drunk and Writing: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essays (Ten Speed). She is at work on another, with the working title Make Your Memoir Suck Less, on voice in the memoir. She holds sold-out workshops in her house on writing essay and memoir and other forms of autobiography, and consults with authors individually, in person or long-distance. Her essays appear in many national magazines, and have been anthologized in dozens of textbooks. • BOOKS • • Naked Drunk and Writing (TEN SPEED) 2011 • The Granny Diaries, Chronicle Books (2008) • The Bigger the Sign, the Worse the Garage Sale, Chronicle Books (2007) • You Know You’re a Writer When, Chronicle Books (2007) • Oopsie! Ouchie!, Chronicle Books (2004) • Normal is Just a Setting on the Dryer, Chronicle Books, 2003 • Slowing Down in a Speeded-Up World, Redwheelweiser (2002) • Hold Me Close, Let Me Go, Broadway Books (2001) • The Best of Adair Lara, Scottwall Associates (1999) • At Adair’s House, Chronicle Books (1995) • Welcome to Earth, Mom, Chronicle Books (1992) • History of Petaluma, a California River Town Scottwall Associates 1982 • Anthologies (a sampling) • Over the Hill and Between the Sheets Springboard (2007) • The Secret Lives of Lawfully Wedding Wives Inner Ocean (2006) • Too Young to Be This Damn Old by Inc. Sourcebooks (Paperback - Mar 1, 2006) • The Thong Also Rises: Further Misadventures from Funny Women on the Road (Travelers’ Tales Guides) by Jennifer L. Leo, Ayun Halliday, and Laurie Notaro (2005) • A Sense of Place Shapiro (2004) • Sand in My Bra & Other Misadventures: Funny Women Write from the Road, Travelers’ Tales (2003) • Coming Alive From Nine to Five in a 24/7 World: A Career Search Handbook for the 21st Century by Betty Michelozzi, Linda Surrell, and Robert Cobez (2003) • The Nine Modern Day Muses: 10 Guides to Creative Inspiration for Artists, Poets, Lovers, and Other Mortals Wanting to Live a Dazzling Existence by Jill Badonsky (2003) • How to Say It Style Guide by Rosalie Maggio (2002) • Romancing the Ordinary by Sarah Ban Breathnach (2002) • Paris: An Inspired Anthology and Travel Resource Three Rivers Press (2000) • Simple Pleasures of the Home: Cozy Comforts and Old-Fashioned Crafts for Every Room in the House by Susannah Seton (1999) • Mama Get the Hammer! There’s A Fly On Papa’s Head! by Barbara Johnson (1994) • A 2nd Helping of Chicken Soup for the Soul: 101 More Stories to Open the Heart and Rekindle the Spirit (Chicken Soup for the Soul) by Jack Canfield and Mark Victor Hansen (1994) Awards: • 1990: Associated Press, Best Columnist in California. • 1997: Humor Columns for Newspapers over 100,000, National Society of Newspaper Columnists • 1998: First place, general interest columns, National Society of Newspaper Columnists. • 1999: Second place, commentary, American Association of Sunday and Feature editors contest, competing against papers with circulation over 300,000. • May 17, 2002 was declared Adair Lara Day in San Francisco by proclamation of Mayor Willie Brown Book consulting My students also include Robin Wolaner, founder of Parenting Magazine and author of “Naked in the Boardroom” ; Terry Gamble, author of several novels including “The Water Dancers”; Susan Parker, who wrote columns for the Chron and came out with “Tumbling After,” Peggy Vincent, author of “Babycatcher,” David Gottfried, author of “Greed to Green,” and James Frey, whom I told not to worry about making stuff up, no one would notice. (Ok, made up that one). JT Leroy may have taken my class, who knows? John Brooks The Girl Behind the Door The Girl Behind the Door (Simon & Shuster 2016) Without Adair's guidance, sharp wit, coaching, seasoned interviewing skills, succinct editing and experienced counsel, there is no way that my memoir would ever have been published. David Gottfried, author of “Greed to Green” Adair's keen editorial eye and sharp sense of story arc helped me pare a 500-page manuscript into a tighter, plot driven read. Her coaching and enthusiasm opened doors to locating an agent that had previously been bolted. Mary Patrick, author of Family Plots The Upside of Down -- will be published in September by a Melbourne publisher called Transit Lounge. Adair, I would not be in this position were it not for you. Your support, comments, feedback and encouragement were critical and came at a time when I was wondering why I was staying up late at night working on this book. Susan Biggar The Upside of Down -- will be published in September by a Melbourne publisher called Transit Lounge. Adair, I would not be in this position were it not for you. Your support, comments, feedback and encouragement were critical and came at a time when I was wondering why I was staying up late at night working on this book. Jacqueline Winspear, author of the Maisie Dobbs series When I first met Adair, I wasn’t at all sure where I ultimately wanted to go as a writer – although I did, and still do, harbor a deep wish to be an Adair Lara. Joining her personal essay workshops opened so many avenues of possibility, although Adair kept suggesting I try my hand at fiction. Eventually, I took the leap, sharing the first chapter of my novel, Maisie Dobbs with Adair, who pushed me to continue. Without her insightful guidance and encouragement, Maisie Dobbs might be just a couple of chapters collecting dust in a drawer.” Sunshine Mugrabi Based on your suggestions. I’ve cut the manuscript by about 20,000 words and three chapters. It’s down to about 93,000 words, 35 chapters. I’ve cut pocket bios, tightened dialog, looked for inconsistencies, listened for clinkers, tried to strip out redundancy and make the narrative taut and linear, while retaining the lyricism and improving pacing and rhythm. Your critique really helped me see how to cut and focus. I’ve carried your printed suggestions around for the past three months, the pages now tattered and coffee stained. I’m grateful for your thought- provoking suggestions and encouragement. Hey Adair: Hope you got my gushing call the other day. I LOVE what you've done for my book in too many ways to mention. Peggy Kennedy When I first met Adair, I wasn’t at all sure where I ultimately wanted to go as a writer – although I did, and still do, harbor a deep wish to be an Adair Lara. Joining her personal essay workshops opened so many avenues of possibility, although Adair kept suggesting I try my hand at fiction. Eventually, I took the leap, sharing the first chapter of my novel, Maisie Dobbs with Adair, who pushed me to continue. Without her insightful guidance and encouragement, Maisie Dobbs might be just a couple of chapters collecting dust in a drawer.” Lolly Winston, author of Good Grief This was my first writing workshop and it snowballed on me. First you talked about needing conflict/struggle in your story and I thought, "Well, crap. There goes my non-fiction piece about living in an RV for ten years. No conflict. Won't work." (I know - these are my thoughts and they're supposed to be italicized but the email font won't do it!) After the first day I was thinking maybe I should just try essays and forget my project. Then, on the second day, you honed in on specifics and I got inspired. I'm just going to write. I don't care if it gets published. I'll have my story and it will be mine to keep. Thank you for your humor, your insight, your warmth and your knowledge of writing which you so willingly Peggy Kennedy author of Neverland Hey Adair: Hope you got my gushing call the other day. I LOVE what you've done for my book in too many ways to mention.
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